Sven-David Sandström: "Nordic Sounds"Swedish Radio Choir/Peter Dijkstra
Channel Classics
"The title of this superb disc is the only banal thing about it", says Martin Anderson in IRR. "the music, performances and recording are all phenomenally good. Happy the composer that has this kind of choir at his disposal... The singing... will leave you slack-jawed in amazement: control of pitch, dynamic, rhyth, blend, you name it, is perfect". On Classics Today, David Vernier calls Sandstrom an "original composer uninhibited by conventional views on  what singers can or can't do. Of course, when you have a virtuoso  ensemble like the Swedish Radio Choir performing your music, what's to  worry?" He also notes "Although there are many moments that will stretch the  familiar boundaries of comfort for a casual listener, there's nothing  here that's gratuituously irritating, and there are some pieces - Es ist  genug; A new song of love; Agnus Dei - that will literally prime you with  the familiar while launching you headlong into the experience of choral  music's newest frontier". 
Runners-up:
Miškinis: "Time is Endless"Royal Holloway Choir/Rupert Gough
Hyperion
Penderecki: Credo; Cantata for Jagellonian UniversitySoloists' Warsaw Boys' Choir; Warsaw Philharmonic Orchestra & Choir/Antoni Wit
Naxos
"Beyond All Mortal Dreams: American A Cappella"Trinity College Choir, Cambridge/Stephen Layton
Hyperion
Dennehy: Grá agus Bás; That the Night ComeIarla O’Lionáird; Dawn Upshaw; Crash Ensemble/Alan Pierson
Nonesuch
This category had fewer than half as many entries as its instrumental counterpart, but noticeably better coverage by the British magazines. Again, a hard one always to predict, but it would be an odd Awards indeed if there wasn't at least one entry from Hyperion. Nice this year to see some Irish representation.
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